Editorial: Dustin Demoret
Color: Anthony Campagna
VFX: Peter Timberlake
This was one of those spots that was shot for the edit. So much was done in preproduction that once we had it in the can, the edit slotted together really quickly and coherently. It was also nice that we had conversations with production, Bayonet, about capturing certain things that would help add energy to the story, like whip pans and other camera motions. It was a piece that was firing on all cylinders to really make the edit easy.